May 31, 2012
“from the real.”

backed into a corner of the gray

I was witness as the shapes were

born and began to masquerade

as themselves, in and out of place

nostalgia come to die, gone and erased

leaving only the blankest white space-

tell me, tell me, what was it you said

as the shadows caught, and the light

was chased?

didn’t I didn’t I didn’t I didn’t I say it,

(no, I misheard you- again)

“my head// is still // spinning//

                from the real.”

May 30, 2012
sacred/scared.

nothing is sacred.

bring me to the lake

we will all settle

into our old ways

the ripple will trickle

the air will debate

and I will dance

or drown as it

takes its shape.

May 27, 2012
satan/satin.

an ex of mine used to

spell satan with an I,

making it satin. I thought it

fine, fitting, for the form

to lie. the syntax made sense

here, she far from shy

the tears in her nylon

sent the seams running

and these pressing matters

skim her second skin

letting its satin sinews

stretched and strangling-

as the red revealed beneath

was a coffin where I would sleep

one last nail dug in

a rude wake, a dying breath-

satan staining her dress.

(but all the same, it sounded from

her mouth in a single gasp

before she had taken the next.)

May 23, 2012
[Flash 9 is required to listen to audio.]

no-th:

Brand new song from Freemason! Preview of a new track from debut album, ‘Blood and Wine’, available this July!

another album preview- vocals are almost completely done for the album! this one’s called “Two By Fours”. Enjoy!

May 23, 2012
call it not love.

call it not love,

such has been spoken for-

it is not enough.

love has travelled centuries

spilling from the lip of one

sage’s slippage to another.

the romantic’s rites have been read-

it has lain on tongues unworthy

to gather in pools of spit

as the blood has rushed to the head-

swapped between the mouths

of those who know not

the meaning of it;

but merely passed and exchanged in the hands

of those who have shook them

or wrung them in the kissing rounds of their reprimand-

its truth no longer rings, just the same

it has reflected from the listening walls

pressed with the paper and dust

of pages who pour over their names

and coughing in their history came

upon a phrase uttered here again:

 -

call it not love,

it is not as such

to be summed up;

for in its saying

it has said enough-

 -

I should rather write it

and in doing so

rewrite it below

from where it was left

above.

May 17, 2012
[Flash 9 is required to listen to audio.]

Instrumental preview for the track “Black Lungs”! Vocals next week ;)

May 17, 2012
a woman, a lamp, the light.

a woman stands behind

a lamp,

its slender light drips from

beneath its sheltered shade

drawstring hanging

somewhere around her

face,

I left it on during the day

as Yōsei’s orb began to fade

and wrote a trope

in its place.

she once hung behind

the curtain

but they had drawn too close,

(she had never seen so much lace)

but now, in the trick of the light

my hands have contorted spaces

of the shapes in the places she occupies

and when turned out

escape me entirely into the night-

as she steps behind the shade

and into the day, it is plain to see:

she is not as I or anyone had made

but of her own, obscured by another’s

gaze.

May 17, 2012
playing the field.

this is a poem

within a poem:

I am sitting at the writer,

(you know the type)_

you’ll never quite know

what they’ll say next

and neither

do

I

May 15, 2012
"'I'll love you till the ocean
   Is folded and hung up to dry
And the seven stars go squawking
   Like geese about the sky."

"'I'll love you till the ocean
   Is folded and hung up to dry
And the seven stars go squawking
   Like geese about the sky."

May 15, 2012
st. anthony. (a prayer of she.)

be my St. Anthony
look for me when
I am lost/:
search me when
I am found.
I have pressed my lip to the stone
I have read the rites aloud

still this chaste belt has whipped
and flogged my forearms for hours-
in the blackest ceremonies
I stood at the altar and begged for bread
as she would stand amidst the gold and flames
and ask for my head-

there has been a reversal instead
as the hymns were made to part
their endings always written at the bottom
of the page, far from where they would start,
the highest notes always curled
upon the ceiling, to hang in rafters and bend-
 

all sacrifices are null, the cathedral doors
thrown open, set the lambs free
the candles have been snuffed out
the ritual is empty-

(hearing your songs is
like hearing you speak.
I listen when you talk
with me.)

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